The best word to use instead of said is often no word at all: when the reader already knows who is talking, drop the tag. When you do need one, plain “said” and “asked” are the defaults, because readers tend to skim past them and keep their eyes on the line. Use one of the said synonyms below only when it tells the reader something the words can’t: how loud the line is (whispered, bellowed), how it sounds (croaked, slurred), or what the speaker is doing with it (admitted, interrupted, teased).
Before
“You’re late,” Mara growled.
“The trains,” Jack explained.
“There are always trains,” she retorted.
“Not like today,” he countered.
After
“You’re late,” Mara said.
“The trains.”
“There are always trains.”
Jack hung his wet coat on the radiator. “Not like today.”
The first version uses four different verbs, and none of them tells the reader anything the lines don’t: the back-and-forth already shows that he is explaining and she is pushing back. The second keeps one said, lets the paragraph breaks show whose turn it is, and spends its words on one beat. That beat carries what no speech verb could. The coat is wet, so he has just come in out of the weather, which makes his excuse easier to believe. The wet coat answers her better than he does.
The 261 verbs below are sorted by what you want the reader to hear, and each comes with an example line written for this list. All of them are ways of speaking or moves in a conversation; gestures such as smiled and nodded, which can’t carry a line, have their own table near the end. After the list: when said is still the better choice, when another verb earns its place, and how to swap a tag for an action beat.
| If the line is… | Look under | Verbs |
|---|---|---|
| If the line is…Clear from the words alone | Look underSaid, asked or no tag | Verbssaid, asked |
| If the line is…Angry | Look underAngry | Verbs1–19 |
| If the line is…Happy, excited or proud | Look underHappy, excited and proud | Verbs20–36 |
| If the line is…Sad or hurt | Look underSad and hurt | Verbs37–51 |
| If the line is…Afraid or unsure | Look underAfraid and nervous | Verbs52–63 |
| If the line is…Soft | Look underQuiet | Verbs64–73 |
| If the line is…Loud | Look underLoud | Verbs74–85 |
| If the line is…About the voice itself | Look underHow the voice sounds | Verbs86–100 |
| If the line is…A question | Look underAsking | Verbs101–112 |
| If the line is…An answer | Look underAnswering | Verbs113–125 |
| If the line is…Information | Look underExplaining and adding | Verbs126–149 |
| If the line is…Agreement, praise or comfort | Look underAgreeing, praising and reassuring | Verbs150–164 |
| If the line is…An argument | Look underArguing and objecting | Verbs165–181 |
| If the line is…Cut off, picked up or trailing away | Look underInterrupting, continuing and trailing off | Verbs182–195 |
| If the line is…A joke or a dig | Look underTeasing and mocking | Verbs196–213 |
| If the line is…A request | Look underPleading and persuading | Verbs214–227 |
| If the line is…An order or a warning | Look underCommanding and warning | Verbs228–240 |
| If the line is…A confession, or a lie | Look underAdmitting and lying | Verbs241–252 |
| If the line is…A complaint | Look underComplaining | Verbs253–261 |
| If the line is…A gesture, not a sound | Look underVerbs that can’t speak | Verbssmiled, nodded, shrugged |
Said synonyms for emotions
Most emotion tags are only worth using when the line on its own could be read two ways. If the words are already furious or delighted, a plain said lets them speak. To describe a voice in the narration rather than in the tag, the descriptive words list has a group of words for voices.
Angry
- snapped — “I said I’d handle it,” she snapped.
- snarled — “Touch my bike again and see what happens,” Rhys snarled.
- growled — “Not one more word,” Dad growled from the driver’s seat.
- barked — “Boots off before you come in here,” the sergeant barked.
- spat — “Keep your money,” she spat.
- seethed — “He knew. He knew the whole time,” Ines seethed.
- fumed — “Three hours on hold for that,” Paul fumed.
- raged — “Who gave them the right?” the old man raged.
- thundered — “Sit down!” the judge thundered.
- ranted — “And don’t get me started on the parking,” Gil ranted.
- exploded — “Enough!” Marta exploded.
- roared — “Who left the gate open?” the farmer roared.
- bit out — “Fine,” she bit out.
- ground out — “I’m not tired,” he ground out through his teeth.
- hissed — “Stop it, Simon, people can see us,” she hissed. (Works best when the line has s sounds.)
- cursed — “Damn this lock,” Frank cursed.
- swore — “That’s the last time I lend him the truck,” Ray swore.
- sputtered — “You can’t just—you can’t—” Lena sputtered.
- huffed — “Fine, do it your way,” Mom huffed.
Happy, excited and proud
- exclaimed — “It’s snowing!” Mira exclaimed.
- cheered — “Home run!” the kids cheered from the bleachers.
- gushed — “It’s perfect, it’s absolutely perfect,” she gushed.
- enthused — “You have to try the dumplings,” Ravi enthused.
- crowed — “Told you he’d say yes,” Tess crowed.
- chirped — “Morning, everyone!” the receptionist chirped.
- trilled — “Darling, you came!” her aunt trilled.
- bubbled — “And then he asked about you,” Ana bubbled.
- squealed — “He proposed!” Priya squealed.
- whooped — “We’re through to the final!” Jonah whooped.
- sang — “Dinner’s ready,” Mom sang from the kitchen.
- rejoiced — “It’s over. It’s finally over,” she rejoiced.
- marveled — “You built this yourself?” Leo marveled.
- babbled — “And the dog, and the beach, and the boat,” Sophie babbled.
- bragged — “Aced it, first try,” Omar bragged.
- boasted — “Nobody in this town makes a better pie,” Mrs. Duval boasted.
- gloated — “Who’s laughing now?” Kip gloated.
Sad and hurt
- sobbed — “I can’t find her anywhere,” the boy sobbed.
- wept — “He was only nineteen,” she wept.
- cried — “Don’t go,” she cried. (In older novels it often means “called out.”)
- sniffled — “It’s just a cold,” Max sniffled.
- whimpered — “Is it going to hurt?” Ollie whimpered.
- wailed — “My vase!” Grandma wailed.
- moaned — “It hurts,” Ellie moaned.
- lamented — “We used to have a bakery on every corner,” Hal lamented.
- choked out — “Thank you,” he choked out.
- faltered — “I thought you’d be happy,” she faltered.
- keened — “My boy, my boy,” the old woman keened.
- managed — “Congratulations,” she managed.
- bawled — “I want my mom!” the toddler bawled.
- blubbered — “I’m sorry, I’m so sorry,” he blubbered.
- sniveled — “It’s not fair,” Toby sniveled.
Afraid and nervous
- stammered — “I-I didn’t see anything,” the clerk stammered.
- stuttered — “W-wait for me,” Danny stuttered.
- quavered — “Is someone there?” Mrs. Pell quavered.
- gasped — “The water’s rising,” she gasped.
- blurted — “I broke it,” Nate blurted.
- squeaked — “Me?” Jen squeaked.
- panted — “They’re right behind us,” Ana panted.
- fretted — “What if the bridge is out?” Mom fretted.
- ventured — “Maybe we should turn around,” Kit ventured.
- hedged — “It might be nothing,” the mechanic hedged.
- yelped — “Spider!” Theo yelped.
- rambled — “The train was late, so I thought I’d walk, but then it rained, so I…” he rambled.
Words for volume and sound
These are the tags that most often earn their place. “Get down” whispered and “Get down” shouted are different scenes, and the words inside the quotation marks are exactly the same.
Quiet
- whispered — “Don’t wake the baby,” Lou whispered.
- murmured — “I know,” he murmured into her hair.
- muttered — “Typical,” Agnes muttered, and went back to her crossword.
- mumbled — “Wasn’t me,” the boy mumbled at his shoes.
- breathed — “Look at that,” Clara breathed.
- cooed — “Who’s a good boy?” she cooed at the puppy.
- purred — “You must be the new neighbor,” the woman purred.
- crooned — “Hush now, hush,” the father crooned.
- mouthed — “Help me,” she mouthed across the room.
- hummed — “Mm, maybe,” Ruth hummed.
Loud
- shouted — “Over here!” Mateo shouted.
- yelled — “Car!” the kids yelled, and scattered.
- called — “Dinner in ten,” Dad called up the stairs.
- screamed — “Get away from the edge!” her mother screamed.
- shrieked — “It’s in my hair!” Kara shrieked.
- hollered — “Supper’s on the table!” Aunt June hollered from the porch.
- bellowed — “Next!” the clerk bellowed.
- howled — “It’s not fair!” Ben howled.
- boomed — “Welcome, welcome!” the host boomed.
- screeched — “Stop the car!” Nina screeched.
- trumpeted — “The bride and groom!” the DJ trumpeted.
- clamored — “We want the band!” the crowd clamored.
How the voice sounds
- croaked — “Water,” he croaked.
- rasped — “Who sent you?” the old sailor rasped.
- wheezed — “Give me a minute,” Grandpa wheezed at the top of the stairs.
- drawled — “Well, I reckon that depends,” the rancher drawled.
- slurred — “One more for the road,” he slurred.
- intoned — “We are gathered here today,” the minister intoned.
- droned — “Item fourteen, the parking committee,” the chair droned.
- piped — “Can I come too?” the youngest piped.
- squawked — “My notes!” Ivan squawked.
- rumbled — “Easy now,” the big man rumbled.
- grunted — “Fine,” Dad grunted.
- warbled — “Happy birthday, dear Ellie,” the aunts warbled.
- chanted — “Jump, jump, jump!” the kids chanted.
- recited — “Eggs, flour, butter, sugar,” she recited.
- crackled — “Unit nine, respond,” the radio crackled.
Words for moves in a conversation
These verbs say what a line is doing: asking, answering, conceding, cutting in. Some, like asked, are as invisible as said. Others change the meaning of the line, so choose them for accuracy, not variety.
Asking
- asked — “Is this seat taken?” he asked.
- inquired — “And when did you last see the vase?” the inspector inquired.
- queried — “Are these numbers final?” the editor queried.
- wondered — “Do you think she knew?” Ruth wondered.
- pressed — “And after that?” the reporter pressed.
- probed — “What exactly did he promise you?” the lawyer probed.
- quizzed — “Capital of Peru?” Dad quizzed from the front seat.
- prompted — “And the second reason?” the teacher prompted.
- demanded — “Where were you last night?” her father demanded.
- questioned — “You’re sure it was a Tuesday?” the detective questioned.
- pried — “So, is he your boyfriend?” her cousin pried.
- fished — “Did anyone mention my speech?” Lou fished.
Answering
- answered — “Three,” she answered without looking up.
- replied — “Not today,” he replied.
- responded — “We’ll look into it,” the manager responded.
- returned — “And good evening to you,” the doorman returned.
- rejoined — “So you keep telling me,” Margaret rejoined.
- echoed — “Married?” Elena echoed.
- repeated — “Tuesday?” the clerk repeated.
- confirmed — “Flight 22 is boarding now,” the agent confirmed.
- corrected — “Doctor Hale, actually,” she corrected.
- volunteered — “I’ll drive,” Sam volunteered.
- offered — “I could come with you,” Ines offered.
- supplied — “Seventeen eighty-nine,” the boy supplied.
- guessed — “Thursday?” Pete guessed.
Explaining and adding
- explained — “The bridge closes at six in winter,” the ranger explained.
- added — “And bring a flashlight,” she added.
- noted — “The second clause contradicts the first,” the editor noted.
- remarked — “You’ve repainted,” Eve remarked.
- observed — “Your hands are shaking,” the nurse observed.
- mentioned — “Oh, your sister called,” Ben mentioned.
- pointed out — “The receipt says Tuesday,” Lena pointed out.
- stated — “The building closes at nine,” the guard stated.
- announced — “We’re moving to Lisbon,” Dad announced at dinner.
- declared — “This is the best soup I’ve ever had,” Theo declared.
- informed — “Your table is ready,” the host informed us.
- told — “Wait by the car,” she told him.
- reminded — “You promised,” Ada reminded him.
- recounted — “Then the whole roof came down,” Grandpa recounted.
- clarified — “I meant the other Michael,” she clarified.
- elaborated — “Not the red folder. The red binder,” he elaborated.
- mused — “Funny how this town never changes,” Walt mused.
- reasoned — “If her car is here, she can’t have gone far,” Jo reasoned.
- speculated — “Maybe the storm took the line down,” Carl speculated.
- theorized — “The butler had a key,” Dot theorized.
- concluded — “So it was the cat all along,” Pam concluded.
- reported — “Two inches overnight,” the forecaster reported.
- commented — “Bold choice,” her friend commented.
- proclaimed — “Let the games begin!” the mayor proclaimed.
Agreeing, praising and reassuring
- agreed — “You’re right, it can wait,” Rosa agreed.
- assented — “Very well,” the duke assented.
- allowed — “That’s fair,” he allowed.
- granted — “I suppose you have a point,” she granted.
- affirmed — “Yes, every word of it,” the witness affirmed.
- praised — “That’s the cleanest weld I’ve seen,” the foreman praised.
- encouraged — “Keep going, you’re nearly there,” the coach encouraged.
- reassured — “Nobody’s angry with you,” Mom reassured him.
- soothed — “There, now. It’s over,” Nell soothed.
- consoled — “You did everything you could,” Paolo consoled her.
- comforted — “It’s just thunder,” Dad comforted.
- complimented — “That color suits you,” Imran complimented.
- congratulated — “Well done, both of you,” the principal congratulated them.
- promised — “I’ll be there by eight,” he promised.
- vowed — “Never again,” she vowed.
Arguing and objecting
- argued — “It’s cheaper to fix the old one,” Jen argued.
- objected — “That’s not what the contract says,” the agent objected.
- protested — “But I already paid!” Sam protested.
- countered — “Then explain why the numbers dropped,” she countered.
- retorted — “At least I showed up,” he retorted.
- shot back — “Then stop asking,” she shot back.
- insisted — “It was blue. I’m certain,” Marta insisted.
- maintained — “I never touched the money,” he maintained.
- contended — “The rule only applies to members,” the treasurer contended.
- asserted — “This plan will work,” the founder asserted.
- contradicted — “No, it was the other way round,” Leah contradicted.
- challenged — “Prove it,” Max challenged.
- accused — “You read my letters,” Jane accused.
- disagreed — “I don’t think that’s true,” Omar disagreed.
- demurred — “I’d rather not say,” Mr. Hale demurred.
- refused — “I won’t sign it,” she refused.
- denied — “I never said that,” Kurt denied.
Interrupting, continuing and trailing off
- interrupted — “Not now,” Ana interrupted.
- cut in — “Let me stop you there,” the host cut in.
- broke in — “Can I say something?” Tara broke in.
- interjected — “If I may,” the lawyer interjected.
- chimed in — “Me too!” the twins chimed in.
- put in — “He’s allergic, by the way,” Fay put in.
- went on — “Anyway,” she went on, “the point is, we’re late.”
- continued — “Second,” the speaker continued, “the budget.”
- resumed — “As I was saying,” Professor Lind resumed.
- persisted — “But what about the dog?” the girl persisted.
- began — “Well,” he began, then stopped.
- trailed off — “I just thought maybe…” he trailed off.
- broke off — “If you’d only—” she broke off.
- finished — “—and that’s why we’re late,” Pam finished.
Words for attitude and intent
The last groups carry the speaker’s stance: mocking, begging, ordering, confessing. They are easy to overuse, because each one tells the reader how to take the line. Use them where the line could honestly be read either way. For the narrator’s attitude rather than a character’s, see the tone words list.
Teasing and mocking
- teased — “Somebody’s got a crush,” Lily teased.
- joked — “Relax, I only crash on Tuesdays,” the pilot joked.
- quipped — “Well, it’s not raining inside,” Ed quipped.
- kidded — “Late again? Must be a day ending in y,” Sal kidded.
- ribbed — “Nice tie. Did your mom pick it?” Duke ribbed.
- needled — “Still waiting on that promotion?” his brother needled.
- mocked — “Ooh, the big important manager,” she mocked.
- taunted — “Can’t catch me!” the boy taunted.
- jeered — “Go home!” the crowd jeered.
- sneered — “Is that the best you’ve got?” the champion sneered.
- scoffed — “You? Run a marathon?” Tom scoffed.
- sniffed — “Store-bought,” Aunt Vera sniffed.
- snorted — “Romantic? He forgot my birthday,” Joy snorted.
- deadpanned — “I love meetings,” Hal deadpanned.
- simpered — “Oh, you’re terrible,” she simpered, and swatted his arm.
- gibed — “Lost again, navigator?” the captain gibed.
- wisecracked — “Relax, it’s only the end of the world,” Danny wisecracked.
- mimicked — “‘I’m too busy,’” Kit mimicked.
Pleading and persuading
- begged — “Five more minutes,” the kids begged.
- pleaded — “Please, just hear me out,” Owen pleaded.
- implored — “Don’t sign anything yet,” the lawyer implored.
- beseeched — “Spare him, my lord,” the woman beseeched.
- entreated — “Stay one more night,” her host entreated.
- urged — “Call her before it’s too late,” Mina urged.
- coaxed — “Come on, the water’s warm,” Dad coaxed.
- cajoled — “Just one dance. One,” Paulo cajoled.
- wheedled — “Can I have the car Saturday? I’ll wash it,” Ty wheedled.
- prodded — “And? Did you tell him?” Sara prodded.
- suggested — “Why not try the side door?” Ana suggested.
- proposed — “Let’s split it three ways,” Raj proposed.
- invited — “Come in out of the rain,” the old man invited.
- bargained — “Ten dollars, and I’ll throw in the frame,” the seller bargained.
Commanding and warning
- ordered — “Everyone out,” the officer ordered.
- commanded — “Kneel,” the queen commanded.
- directed — “Second door on the left,” the nurse directed.
- instructed — “Stir it every two minutes,” Gran instructed.
- decreed — “No phones at dinner,” Mom decreed.
- dictated — “Dear Sir, comma, new line,” the boss dictated.
- warned — “Don’t touch the stove,” Pa warned.
- cautioned — “The ice is thin past the dock,” the ranger cautioned.
- threatened — “Do that again and you’re walking home,” Dad threatened.
- advised — “Take the early train,” Mr. Okafor advised.
- admonished — “You should know better,” her aunt admonished.
- scolded — “Look at the mess you’ve made,” Mrs. Ito scolded.
- lectured — “In my day, we walked to school,” Grandpa lectured.
Admitting and lying
- admitted — “I never read the book,” Nina admitted.
- confessed — “I ate the last slice,” Will confessed.
- conceded — “Fine. You were right,” Erin conceded.
- acknowledged — “Yes, the error was ours,” the spokesperson acknowledged.
- confided — “I’m thinking of leaving him,” she confided.
- revealed — “The letter was never sent,” Grandma revealed.
- disclosed — “We lost the account in March,” the finance director disclosed.
- divulged — “The password is his dog’s name,” Kim divulged.
- let slip — “Since we got engaged—” Mia let slip, then went red.
- apologized — “I’m sorry about the car,” Ben apologized.
- relented — “All right, you can go,” Dad relented.
- lied — “I’ve never seen him before,” Rosa lied.
Complaining
- complained — “The coffee’s cold again,” Lou complained.
- grumbled — “Who schedules a meeting at seven?” Pat grumbled.
- griped — “They changed the menu again,” Hank griped.
- whined — “But I don’t want to go,” Ella whined.
- groused — “Another rate hike,” Earl groused.
- carped — “Too much salt,” the critic carped.
- nagged — “Did you call the plumber yet?” Sue nagged.
- bleated — “It’s not my fault,” the intern bleated.
- harrumphed — “Young people,” Mr. Black harrumphed.
When said is the better choice
Said is the default tag for a reason. Readers take it in the way they take in a comma: it tells them who is talking and gets out of the way, so their attention stays inside the quotation marks. Elmore Leonard made it the third of his rules for writers, in a 2001 essay for The New York Times: “Never use a verb other than ‘said’ to carry dialogue.”
Few writers follow that rule to the letter, and you don’t have to. But it points at the real trouble with a thesaurus tag: it tries to do the line’s job. If the words are angry, “she said” is enough. If they aren’t, “she snarled” can tell the reader how to hear them, but it can’t make the words themselves angry, and the reader notices the verb instead. The Mara and Jack exchange at the top of this page shows the swap in four lines.
Asked is the other invisible tag; use it for questions. And the third option is no tag at all. In a two-person exchange, a new paragraph marks each change of speaker, and readers only need a reminder every few lines. The guide to writing dialogue has a revision pass for exactly this: hide every tag, read the exchange, and delete the ones you don’t miss.
For a whole chapter, ask the Strokes Assistant to list every dialogue tag other than said and asked, with how often each one appears. Three “hissed” in four pages jumps out of a list in a way it rarely does while you’re reading.
When another verb earns its place
A more specific verb is worth it when it gives the reader information the quoted words can’t. In practice that comes down to four situations.
- Volume. Whispered, shouted and called change the scene without changing a word of the line. This is the most common good reason to leave said behind.
- A sound the line can’t spell. A croak, a slur, a voice that breaks. You could write a stammer into the line with hyphens, but one well-placed “stammered” is easier to read than a page of them.
- A move in the conversation. Admitted, conceded, interrupted and lied change what the line means. “I never read it,” she admitted is a confession. “I never read it,” she said could just as easily be a boast.
- A narrator with a period voice. Nineteenth-century novels often reach for tags like cried, returned, rejoined and observed, and a narrator who sounds like that on purpose can too.
“Hold your noise!” cried a terrible voice, as a man started up from among the graves at the side of the church porch.
“O! Don’t cut my throat, sir,” I pleaded in terror.
“You have been in Afghanistan, I perceive.”
“How on earth did you know that?” I asked in astonishment.
“Curiouser and curiouser!” cried Alice (she was so much surprised, that for the moment she quite forgot how to speak good English); “now I’m opening out like the largest telescope that ever was! Good-bye, feet!”
In these lines Dickens and Doyle put the feeling in a phrase after a plain verb, “in terror” and “in astonishment”, rather than bolting an -ly word onto it, and Doyle’s question mark does most of the work anyway. They weren’t strict about it: just before Holmes’s remark about Afghanistan, he “said cordially”. Notice too that “cried” here means called out. Victorian prose often used it that way; in a modern novel, readers may picture tears.
Action beats instead of tags
An action beat is a short sentence about what the speaker is doing, placed next to the line. It identifies the speaker the way a tag does, and it also shows the reader something: the room, a hand, the thing nobody is saying. A beat is its own sentence, so it takes a capital and a period instead of joining the line with a comma.
“Leave it,” he said sharply.
“Leave it.” He took the letter out of her hand.
“We should go,” she said nervously.
She checked her phone for the third time. “We should go.”
“It’s nothing,” Dev said, upset.
“It’s nothing.” Dev was already pulling on his boots.
Beats can go before the line, after it, or in the middle, where they also set the rhythm of the speech: “The money is”—she glanced at the door—“gone.” What they shouldn’t do is appear on every line. Nods, sighs and sips of coffee on every line read like stage directions, so save beats for gestures that mean something. The punctuation for tags, beats and interruptions is in the guide to how to format dialogue.
Adverbs and verbs that can’t speak
Two habits make tags worse rather than better. The first is the adverb: said angrily, asked nervously, whispered softly. The adverb is usually there because the line isn’t doing its job, and fixing the line fixes the tag. Leonard’s very next rule bans adverbs on said, and he ends it with a joke tag that breaks both rules at once: a fancy verb with an adverb attached.
Before: “I don’t care,” she said angrily.
After: “Sell it. Burn it down. I don’t care.”
Before: “Can I come in?” he asked nervously.
After: “Can I—is this a bad time? I can come back.”
Before: “Hello,” she whispered softly.
After: “Hello,” she whispered. (A whisper is already soft.)
The second habit is a verb that isn’t a way of speaking. You can’t smile a sentence, nod it or shrug it, so a tag like “That’s fine,” she smiled reads as a small mistake. Make the gesture a beat instead.
| Verb | As a tag (avoid) | As a beat |
|---|---|---|
| Verbsmiled | As a tag (avoid)“Sure,” she smiled. | As a beat“Sure.” She smiled. |
| Verbgrinned | As a tag (avoid)“Gotcha,” he grinned. | As a beatHe grinned. “Gotcha.” |
| Verbnodded | As a tag (avoid)“Yes,” Pat nodded. | As a beatPat nodded. “Yes.” |
| Verbshrugged | As a tag (avoid)“Whatever,” he shrugged. | As a beat“Whatever.” He shrugged. |
| Verbfrowned | As a tag (avoid)“That’s odd,” she frowned. | As a beatShe frowned. “That’s odd.” |
| Verbbeamed | As a tag (avoid)“We won,” he beamed. | As a beat“We won.” He was beaming. |
| Verbsmirked | As a tag (avoid)“Told you,” she smirked. | As a beat“Told you.” She didn’t hide the smirk. |
Laughed, sighed, chuckled and giggled are borderline. They are sounds the voice makes, and many published novels use them as tags; some editors still mark them. The same caution applies to a few sound verbs in the list above, such as snorted, sniffed, huffed and harrumphed. If you’d rather avoid the argument, write “she said, laughing” or make the laugh a beat.
Sneered and simpered, in the teasing group, start as facial expressions too, but Merriam-Webster also defines both as ways of saying something (“to say with a simper”), so they can carry a line. The plain-English entry on dialogue tags in the glossary covers the basics in one paragraph.
Frequently asked questions
Is it bad to use said too much?
Rarely. Readers skim past said the way they skim past punctuation, which is why writing guides often call it invisible. Repetition becomes a problem mainly when every line carries a tag. In a two-person exchange, drop most tags and let the paragraphs and the voices show who is talking. Where the reader would get lost, one said or one beat usually fixes it.
What is a dialogue tag?
A dialogue tag is the short attribution that tells the reader who is speaking, such as she said or he asked. It belongs to the same sentence as the line, so it follows a comma or the line's own question mark or exclamation point. An action beat does the same job as a separate sentence about what the speaker is doing. Tags can come before, inside or after the line.
Can laughed or smiled be used as a dialogue tag?
Smiled, grinned, nodded and shrugged can't, because you can't smile or shrug words. Write them as a beat instead: "That's fine." She smiled. Laughed and sighed are borderline, since both are sounds the voice makes, and some editors accept them as tags. The safe options are a beat or a participle: she said, laughing.
Should I use said or asked for a question?
Use asked. It is just as invisible as said and matches the question mark. Said after a question isn't wrong, and some writers use said for every line, but asked is the usual default. When the question mark and the speaker are both clear, you can often leave the tag out altogether.

