A eulogy is a short speech at a funeral or memorial service that tells the room who the person was. It is not a life history. The obituary does that. Most eulogies run three to five minutes, roughly 400 to 650 words read aloud, and the ones people remember are built from one or two true stories rather than a list of virtues.
Below are eight original eulogies, for a mother, a father, two grandparents, a best friend and a neighbor, from under a minute to about three. After each one is a short note on what makes it work. Then the shape they share, how to write your own, and how to get through reading it on the day.
Eulogy examples for a mother
The first is a full-length eulogy from a daughter, built around one habit of her mother's. The second is a one-minute version from a son, for a service with several speakers or a mother who hated a fuss.
Good morning. I'm Anna, Joan's oldest. Thank you all for coming, and thank you to everyone who brought food to the house this week. Mom would want you to know she is keeping a list of who brought what, so she can return the dishes.
She really would have. My mother ran her life on lists: groceries, birthdays, library books due back, all written on the backs of envelopes in her square office handwriting. On Tuesday we found one in the kitchen drawer from 1994. It said: “Call Marie. Defrost turkey. Be nicer to Dan.” Dan is my father. They were married for forty-seven years, so I think the list worked.
Mom grew up in Dayton, the fourth of six kids, and left home at eighteen with one suitcase and a job at the phone company. She met Dad at a bowling alley, and neither of them ever bowled again. For thirty-one years she was the secretary at Lincoln Elementary, which means a lot of you were sent to her office at some point, with a nosebleed or a forgotten lunch or a note from your teacher. She kept a drawer of granola bars and spare mittens for exactly those people.
What I want you to know about her is that she noticed things. The year I was twelve, she started packing me two sandwiches and told me to give one to whoever looked like they needed it. I thought it was another one of her rules. It wasn't. The girl who sat next to me at lunch had been coming to the office hungry, and Mom had noticed what wasn't in her lunch bag. She never told anyone, including me. That girl was Becca, who is here today, and who told me the whole story on the phone last week.
That was her way. She didn't make speeches about kindness. She made lists, and then she did what was on them, and most of what was on them was other people.
The last list I found was on her nightstand. It said: “Pay water bill. Call Anna re: Thanksgiving. Bulbs.” She planted tulip bulbs in the front bed in October, when she already knew she might not see them come up.
So here is my list, Mom. Return the dishes. Call Becca. Be nicer to Dad. And in April, go look at the front bed.
Thank you, everybody.
Why it works. One habit carries the whole speech: the lists get the first laugh, explain who she was and become the goodbye. A recurring image used this way works like a motif in fiction. The kindest thing in it is a story, not an adjective. The speaker never says “generous,” which is show, don't tell at a lectern.
My mother, Rosa, did not like a fuss, so I'm going to keep this short. She'd check.
She raised three boys in a two-bedroom apartment above a laundromat on Fifth Street, and until I was ten I thought every home smelled like warm towels. She worked nights as a hospital clerk and still made every one of our games: same seat, same thermos.
People say a mother's love is unconditional. Mom's had conditions. You called if you'd be late. You looked people in the eye when they talked to you. You never left a dish in the sink for someone else to wash. I'm forty-six, and I still can't leave a dish in the sink.
Mom, we kept it short, like you asked. We'll keep the rest too: the calling, the eye contact, the dishes. Thank you for every one of your conditions. Rest now.
Why it works. Short is not thin. In a minute it gives a place, a habit and one turn on a familiar phrase that is funny and true at once. The close repeats her conditions as promises, about the simplest strong ending there is.
Eulogy examples for a father
A quiet father is easy to turn into someone else at a funeral. The first example keeps him in his own register. The second is for a father the speaker had a difficult relationship with, which is more common than funerals let on.
For those who don't know me, I'm Kate. Frank was my dad.
If you ever visited my father, at some point he would disappear, and you'd find him in your driveway checking your tire pressure. He did it to everyone: me, my husband, the pastor, the kid who delivered the paper. He carried a tire gauge in his shirt pocket for forty years. It's in my pocket today.
Dad was a quiet man in a loud family. He grew up on a dairy farm outside Eau Claire, spent two years in the Army in Germany, and came home to run the parts counter at Hansen Ford for thirty-eight years. If your car broke down anywhere in this county in those years, there's a good chance Dad knew what was wrong before the mechanic did.
He wasn't a man for speeches, and he'd be uncomfortable that I'm giving one. In forty-four years I heard him say “I love you” maybe a dozen times, mostly on the phone, mostly as he was hanging up. I never once doubted it. He drove four hours each way to fix the furnace in my first apartment, in January, and slept on my floor. He learned to text at seventy-five so he could send my son baseball scores. Every text was the score and nothing else. My son saved all of them.
When I was sixteen, he taught me to drive in the church parking lot, and the only advice he gave me was: “Leave more room than you think you need.” I thought he was talking about the car. I've since decided he meant most things. Leave room for people to be wrong. Leave room to change your mind. Leave room to get there late and in one piece.
Dad, you left us plenty of room. We'll take it from here.
And I'll check the tires.
Why it works. The tire gauge says he loved people by looking after things, so nobody has to say it. Admitting he rarely said “I love you” makes the evidence that follows more convincing. And the room gets one sentence of his to take home, with his daughter's reading of it.
My father, Gary, was not an easy man, and most of you know that. I'm not going to pretend otherwise. He hated pretending more than almost anything.
He drank for a long time, and those years were hard on my mother, my brother and me. Then, when I was nineteen, he stopped, and he stayed stopped for twenty-six years. I didn't understand until much later what that cost him every day, or that he did it with no promise that any of us would come back. Some of us took a while.
So I want to talk about the second half. The man who drove my kids to swim practice at five in the morning. The man who rebuilt my back porch without being asked, which was how he apologized: by doing something right. The man some of you knew from Tuesday nights, who picked up the phone at any hour for anyone who needed him.
I can't tell you he was a perfect father. I can tell you he became a better one, which is harder.
Dad, thank you for the second half. We'll remember all of it.
Why it works. It names the difficulty once, plainly, with no details and no blame, then spends its time on what is also true. Nobody has to pretend and nobody is put on trial. If the hurt is fresher than this, two or three true sentences are enough, and letting someone else speak is a reasonable choice.
Eulogy examples for a grandparent
Grandchildren tend to talk about time spent together rather than achievements, and that is the right instinct: the officiant and the obituary will cover the facts.
Grandma June taught every one of her grandchildren three things: how to play gin rummy, how to lose at gin rummy, and how to make pie crust with cold hands. I'm still bad at two of them.
I'm Sam, the third of her eleven grandchildren, and I spent every summer from six to fourteen at her house on Pike Lake. Her kitchen had a yellow phone on the wall with a cord so long she could talk to my mother while walking out to the garden. She'd tell Mom we were eating vegetables while handing us popsicles.
She lived through things I've only read about. She grew up on a farm during the Depression, waited out two brothers' service in Korea, and lost my grandfather after fifty-two years of marriage. She didn't talk about the hard parts much. When I asked her once how she got through the year after Grandpa died, she thought about it for a long time and said, “I kept the bird feeders full.” I didn't understand that then. I think I do now. You keep doing the small, ordinary thing, and eventually it carries you.
Being her grandchild meant she had time for you, specifically you. She remembered which of us hated raisins. On each of our eighteenth birthdays she wrote us a letter by hand, three pages, and no two were alike. I've read mine more times than I can count. It ends: “Be brave about the small things too.”
Grandma, I'm trying. And I'll keep the feeders full.
Why it works. The opening list turns into a joke, so the room relaxes before anything sad is said. The hard history gets one sentence, and the rest is about being loved by her. The goodbye is made of her own words, which lands harder than anything the speaker could write.
My grandfather, Lou, had opinions. About the Cubs, about the right way to load a dishwasher, and about whether a tie was necessary for anything short of a wedding. It was not. He would want me to point out that I'm not wearing one.
He was a mail carrier for thirty-four years. He knew every dog on his route by name, and most of the people. When he retired, the families on Maple and Fourth threw him a party in somebody's garage, and forty people came. Forty people, for the mailman. That tells you most of what you need to know.
He also told the same six jokes my entire life. I've heard the one about the duck and the pharmacist maybe four hundred times. I'm not going to tell it today, because nobody can do it the way he did: the long pause before the punch line, where he'd start laughing and couldn't finish.
Grandpa, I'll tell the duck joke to my kids, badly, so they know it existed. Thank you for all four hundred times.
Why it works. The humor is about who he was, never about his death or at anyone's expense, and each laugh is followed by something sincere. Describing the joke instead of telling it is funnier, and sadder, than the joke. If you are unsure of the tone, read it to someone who knew him.
Eulogy examples for a friend
A friend's eulogy has a job a family member's doesn't: it has to explain the friendship, because the room knew the person but not the two of you.
Mara and I met in the laundry room of our freshman dorm, when she took my wet clothes out of the dryer and left them on the folding table. Folded. Nobody had ever been so rude and so considerate at the same time. We were friends for twenty-six years after that.
Most of you knew Mara from one part of her life: the clinic, the choir, the running club, the street she lived on. One of the strange gifts of this week has been finding out how many parts there were. She was a pediatric nurse for twenty years. She sang alto in the choir, loudly. She ran nine marathons and complained through every one of them.
For me, she was the person who called. On my birthday, every year, at six in the morning, because she wanted to be first. When my marriage ended, she called every night for a month, and some nights we barely talked. She just stayed on the line while I did the dishes. When my son was born, she was in the hospital parking lot before my own mother was.
Friendship doesn't come with ceremonies the way family does. Nobody gives you a certificate at twenty-five years. So I want to say it out loud, here, in front of everyone: Mara was my family. She chose me in a laundry room and kept choosing me.
Mara, I'm going to miss the six a.m. calls. My birthday is in March. I'm going to set an alarm and call someone first.
Why it works. It opens with how they met, a friend's version of a birth date. It admits that everyone in the room knew a different Mara, which includes people instead of outranking them. It says what friends rarely get to say in public: the friendship was family. And the close is something the speaker will do, which gives the grief somewhere to go.
I'm Dave. I lived next door to Harold for nineteen years.
The first week we moved in, our dog got out, and Harold walked the neighborhood with me until midnight with a flashlight and a pack of hot dogs. We found her asleep in his garage. He laughed about that for nineteen years.
Every winter he shoveled our walk before we were up, and he never once mentioned it. He waved at every car on our street, including the ones he didn't know. Especially those.
Our street will be quieter without him, and harder to walk in January. Harold, thank you for being a good neighbor. It's rarer than it should be.
Why it works. One story, two details and a line of thanks: the whole shape of a eulogy at its smallest. It suits a graveside, a service with many speakers, or a day when you are not sure your voice will hold for longer.
What these eulogies have in common
Read the eight together and the same five parts turn up in the same order, at very different lengths. A one-minute eulogy gives each part a sentence or two. A five-minute one gives the stories more room, and nothing else needs to grow.
| Part | What it does | From the examples |
|---|---|---|
| PartOpening | What it doesSays who you were to them and gives one picture of them | From the examplesTire pressure in the driveway |
| PartA little life | What it doesWhere they came from and what they did, in a few sentences | From the examplesDayton, the phone company, a school office |
| PartOne or two stories | What it doesProves a quality instead of naming it | From the examplesThe second sandwich |
| PartWhat they left | What it doesA habit, phrase or lesson the room can carry out | From the examples“Leave more room than you think you need” |
| PartGoodbye | What it doesSpeaks to them, often returning to the opening | From the examples“And I’ll check the tires.” |
The stories are the eulogy. Each one is a vignette: one moment, a few concrete details, and no explanation of what it means. The room draws the conclusion, which is why it stays with them. Here is the same kind of quality told and shown:
Shown
- She packed a second sandwich for a hungry classmate for a whole school year.
- He drove four hours to fix my furnace in January and slept on my floor.
- She called at six every birthday so she would be first.
- He learned to text at seventy-five to send his grandson baseball scores.
Told
- She was the most generous person I have ever known.
- He would do anything for his family.
- She was a wonderful, loyal friend.
- He adored his grandchildren.
Two smaller habits are worth copying. Every speaker makes clear who they were to the person in the first breath, because half the room may not know. And none of them tries to cover a whole life. Dates, survivors and the career belong in the obituary, and a eulogy can leave almost all of that out.
How to write your own
Start with time, not words. Ask the officiant or funeral director how long you have and how many other people are speaking. At a religious service the slot may be short and fixed. Conversation runs about 150 words a minute, but people read more slowly at a funeral, so plan on about 130.
| Time you have | About this many words | Room for |
|---|---|---|
| Time you have1 minute | About this many words120–150 | Room forOne story and a thank-you |
| Time you have2–3 minutes | About this many words250–400 | Room forA little life, one story, a goodbye |
| Time you have3–5 minutes | About this many words400–650 | Room forThe full shape with two stories |
| Time you have5–7 minutes | About this many words650–900 | Room forA sole speaker: more stories, not more facts |
- Collect more stories than you need
Call three or four people who knew a different side of the person: a sibling, a coworker, an old friend. Ask each one for a story you might not know. Write everything down without sorting it yet.
- Pick one quality and the stories that prove it
Decide what the room should understand about this person that it might not already. Keep the one or two stories that show it. Save the rest for the reception, where they will be just as welcome.
- Draft it for the ear
Write the way you talk: short sentences, names instead of pronouns, no parentheses. Write the opening and the goodbye last, once you know what the middle says, and let the goodbye echo the opening if it can.
- Read it aloud, then cut
Time it and cut to your slot. Then ask someone in the family to read it for anything that could hurt a person in the room: an old feud, an ex, a joke only three people will get.
For a fuller walk-through of each part, see how to write a eulogy, or start from the eulogy template, which lays out the five parts as sections to fill in.
Reading it aloud on the day
Nobody expects a eulogy to be memorized or delivered smoothly. Reading from paper is normal, and so is stopping to cry. A little preparation makes the reading easier on you.
Frequently asked questions
How long should a eulogy be?
Three to five minutes is typical, about 400 to 650 words read at a funeral pace. A sole speaker at a longer service may go to seven minutes or more. When several people speak, or a religious service has a set order, two or three minutes is common. Ask the officiant or funeral director how much time you have before you start writing.
Is it OK to use humor in a eulogy?
Yes, when the humor is about who the person was and the family is comfortable with it. Avoid jokes about the death, jokes at anyone's expense and inside jokes most of the room won't get. A good rhythm is a laugh followed by something sincere.
What if I can't get through it without crying?
Then you cry, and the room waits. Pause, breathe and look at the page until you can go on. Before the service, give a copy to someone who can finish reading it for you, and agree on a signal in case you need them.
Can I give a eulogy at a Catholic funeral Mass?
Not in the usual sense. The homily is given by the priest or deacon and is not meant to be a eulogy, but the Order of Christian Funerals allows a family member or friend to speak in remembrance before the final commendation. Each diocese sets its own rules, often one speaker for a few minutes, and many parishes ask to see the text in advance. Longer tributes often move to the vigil or the reception, so ask the parish what it allows.
Can I read a poem or someone else's eulogy instead?
A poem or passage the person loved can stand on its own or sit inside your eulogy. Borrowing the structure of an example like the ones on this page is fine. Reading one as written is not, because the details won't match the person and the room will notice.


